Tag Archive for 'national black theater'

the parables: an ecstatic review

today i saw the Parable of the Sower opera.

it is the work of my beloved ancestor-teacher Octavia Butler in the hands of Toshi Reagon, begun as a collaboration with her mother Bernice Johnson Reagon. Dr Reagon is now retired, but her sonic fingerprints are all over the piece that continues to grow.

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today as i watched it, Octavia’s family and her incredible agent were in the audience. i got to meet them after, for which i am grateful.

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i saw the opera years ago in an earlier iteration. i remember loving the music then, in the dark, in a circle of voices.

today it was in a theater, packed, and it opened with the sweet gift of Toshi just giving us some context, some welcome. she has one of my favorite voices in the world, speaking or singing. she was on the stage the entire time, along with two others called the Talents, who rode the wave from earthly to ethereal as the two hours passed.

every singer who entered the stage was powerful, well cast, sounded timeless. Toshi later explained that the singers were trained to truly open their mouths, sing with their whole bodies, sing in a 19th century style. they sound like forever.

it was a congregational opera, we were invited to sing when we knew the songs. even the balance of lights made it feel as if we were part of the circle of survivors trying to find a viable future.

the music Toshi gathered and/or wrote is so beautiful, so emotionally accurate to the story. the pieces were tender – at one point i found myself crying in a new way, the pain of my eyes sharp – something was being cleansed in the tears. i gasped as the last song landed; now hours later, i feel freedom like what only comes after suffering, i feel connected to other believers within a dual web – archives and whispers.

in the iterative process of this opera the singers have left their seats and now we must call them actors. these actors danced as a flock of birds, they migrated north, fractal, iterative, each one contributing to this act of musical genius.

Toshi is not just conducting the musicians, the sounds…she is orchestrating emotional liberation from apathy and oppression, with our bodies as instruments. this is sound healing.

and these actors, these players! there’s a moment when Lauren’s stepmother (played by Karma Mayet) is singing to Lauren’s pastor father (Jason Charles Walker): “I Won’t Crumble With You If You Fall” and i felt my concept of love changing. this is a kind of love/survival we need access to for this coming change.

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and then Lauren (realized, embodied by Shayna Small) singing “Have You Seen My Father”…writing out the words brings the grief back. this is what i was worried would be lost in translation, the solitary work of grief inside of the stunning experience of terror. the hyperempathy, which was well done, AND the mundane experience of losing someone. Toshi didn’t shy away. there were several moments when all we could hear was a weeping song and the breath of tears.

and emergent strategy was so apparent. the verses Toshi selected – “belief initiates action or it does nothing”, “embrace diversity” – are those that most read as instructions for how to survive the impossible.

tonight we held a conversation at the national black theater, a historical location which was perfect for us as a stand against gentrification, not to mention they’re in the middle of a season called Black to the Future! the temple was packed and we generated life. here are a few highlights, moments that increased our honesty and togetherness:

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Toshi spoke to how she’s not going to be one that runs, that’s not what her body does. she said she will stay, she will cover the backs of those who must go. and that the idea of playing this role makes her smile.

Shay spoke to how being Lauren Olamina on that stage is changing how she moves through her real life, what she practices, making her revolutionary.

Manju and Alexis came up from north carolina, where the parable was put on last fall. they spoke of the need now for direct action, and for recognizing that when God is change, each of us is God and must act accordingly.

in this state, with the bias of ecstasy, i recommend you bring the Parable everywhere. give it every grant. run to see it when you have a chance. change and be changed.

bonus: for yesterday’s #movementtarot i pulled a spread on the relationship between movements and Octavia Butler.

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#sundayspread on the relationship between movements and Octavia Butler.
(in honor of me going to see the Parables Opera today and then hosting a conversation with the Parables team later this evening at the National Black Theater.) what we bring: “the student of branches carries a fire in their belly that refuses to be put out. other people don’t always understand why the student must act with such fiery determination. and that’s OK. the student doesn’t always understand either. they just know they have been called to move, and they are heeding that call. the student wants to bridge the gap between what is imagined and what can be actualized.” ?

what Octavia gives us. “the visionary of stones reminds us that being grounded need not mean being boring. a dazzling diva whose glamor is drawn from the natural world, the visionary represents the pinnacle of intuitive connection to the earth element. when the visionary appears in your reading, recognize that you have the power to reshape your world.” ?

the composite energy is the visionary of vessels, but in reverse. “the supporter needs support, the healer needs healing. a temporary blip or disruption in intuition and empathy. approaching powerful wisdom and capacity to heal, but not there quite yet.” what to practice? the four of stones. “no need to hoard, no need for excessive accumulation. trust that there is always enough. ground your sense of security in that you are always enough.” from @slowholler deck, #resistancetarot #movementtarot