the other night i got to do an artist talk at eso won books, in leimert park los angeles. super grateful to cultural shapeshifter lynnee denise from international locals who organized the event, which included an artist talk with the sci fi writer nature grrrrl homey lisa bolekaja, and a book signing. it felt like a portal opened up, and i said some things. below are those things. afterwards i got to sign their big book of famous signatures where octavia butler’s signature from 2005 was on the first page! then i was told that one of my future wives, queen latifah, had just purchased octavia’s brood the night before.
so here are some thoughts:
as you do anything, as you write new stories, you are either moving towards justice or away. there is not a neutral space actually, you’re either perpetuating the existing paradigm of power, or you are disrupting it. that’s why visionary fiction is important, fiction that intentionally disrupts existing paradigms of oppression.
writing sci fi, writing futures we want, is a mindfulness practice. we need mindfulness practices to intentionally grow a future up through our collective and familiar cycles of trauma.
time is non-linear – octavia butler’s stories or nina simone’s music are good proof of this, as relevant now as when they were writing and singing it.
(in response to a question around what and how we create in a world that doesn’t want to acknowledge and celebrate our work…referencing hugos, world fantasy, oscars, etc, i stood up and turned around and said:) look at me. look at my body. i don’t have a body that is seen and affirmed in the mainstream space. i see some reference to it now in people like nicki minaj, but still nothing quite like all of this. so learning to love my body has been choice after choice after practice. it has included self documentation, self pornography, not engaging lovers who want my body to change, learning how i like to look and feel, learning what health is for me. my mind is as divergent from the mainstream as my body is. all of our minds are. which means we can’t look to mainstream systems for affirmation and approval – that’s why we created octavia’s brood. that’s why there are anthologies, and malkia cyril’s work and center for media justice are fighting to keep the web accessible to all, so we have room to create our own spaces and celebrate ourselves. our self love and full realization are dangerous to the mainstream.
capitalism has skewed what we think is enough. everything doesn’t have to be huge bestseller on mainstream markets for everyone. figure out who you want to reach and measure success against that.
we have rituals for collective trauma – we spread the word, and our outrage, on social media where you have to be careful, the trauma is on auto play. we create a hashtag and seek justice and take action and then when justice is often not send we have a next round of grief. we listen to music and sing and numb ourselves. we have less ritual for collective healing. black zen teacher angel kyodo williams pointed that out to me, how technology is connecting our pain so fast, but we have to develop the individual and collective capacity not just to respond, but to evolve together beyond this paradigm.
(in response to a question of the difference between black sci fi and afrofuturism). i see black sci fi as a literal thing, black people doing sci fi – it includes anything, can be the regular old tropes, action narratives, can be conservative, heteronormative, misogynist, etc. whereas afrofuturism to me implies a worldview beyond the western paradigm, being explicitly distinct, born from a different perspective from the mainstream white male American sci fi stuff.
create create create. find people to read your work and get feedback and let people see and hear and engage the part of the future you hold.